Really interesting article explaining what artists do on residency schemes and their value.
http://www.bbc.co.uk/news/uk-14386970
Art of the unseen, images of my works and reflections on the unseen whether that is historical, mythological or metaphysical.
Thursday, August 4, 2011
Wednesday, August 3, 2011
Back from the Algarve!
Getting started with some more paintings. I am looking to explore the traditional methods of painting with oils.
By using Gum turpentine and Linseed stand oil, I will be able to make up varying strengths of my own mediums to work with - particularly useful when painting with thin glazes and exploiting the qualities of the paint.
For speed, it is possible to add a branded accelerator for speeding up the process, eg. Liquin which should allow a glaze to dry within 24 - 48 hours. Word of caution, it can also cause the paint surface to crack if used with thicker layers of paint.
The question is then, if I can speed up the process - Why bother going down the traditional route? With any additional there will be a change in the finished surface and luminosity of the paints.
Part of my philosophy for any artist, part of the finished work must incorporate the medium specific qualities eg. a sculpture working with stone needs to understand how the stone feels, works etc before a successful piece can be realised. This sounds obvious but how many pieces of work have you seen, and thought hmm maybe if he/she had used crayons / pastels / oils etc then it may have been stronger.
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